Co-presented by Conspirare and October Project Music

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Your investment provides the gift of Conspirare’s music to everyone and keeps our nationwide roster of artists employed.

Join us for the world premieres of “Holding Our Breath” and “Call Across,” recipients of the American Choral Directors Association’s Genesis Prize. Following the video premieres,  composers, poet, and Conspirare artistic director Craig Hella Johnson will share insight into the creative process and what emerges in the journey from grief to hope. Attendees will be invited to ask questions!

RE:Genesis is the culmination of new methods of collaboration born during the pandemic among composers, poets, singers, filmmakers, and listeners to ensure new music continues to be heard. RE:Genesis continues the ritual of gathering to share in new music and offers the opportunity to connect with fellow artists and listeners. Filmmaker Andrew J. Timm and his team join with Conspirare again to take Holding our Breath and Call Across to a whole new level of virtual sophistication and creativity in ways we wouldn’t have thought of before COVID-19. Each song will be staged in digitally-created fantasy worlds that speak to the very meaning and spirit of these works. Timm and his team previously collaborated with Conspirare on Unity: Songs of Invitation.

World Premiere:

Holding Our Breath, written by Carlos Cordero (Austin, TX) composer and Julie Flanders (New York, NY), poet, is an a cappella SATB work exploring the worldwide need and fear to breathe together right now, using the lens of breath itself to help transcend the virus, the social wounds of racism, and the deep, healing urgency to breathe and sing together again to help heal the suffering of our times.

Read the full press release here.

Carlos Cordero

Julie Flanders

Call Across, written by Kyle Pederson (Minneapolis, MN) and Brian Newhouse (Minneapolis, MN), is composed for SATB choir with piano, djembe, and optional hang drum. Three characters from around the world call across physical space, history, and silence—seeking to break out of their particular form of isolation—giving voice to the elemental human need for connection and leaving the audience with an empowering invitation to connection and unity.

Learn more:  The Impact of ACDA’s Genesis Prize Continues

Kyle Pederson

Brian Newhouse

Tips for the best viewing experience

Please click the link below that applies to you to get tips for the best viewing experience. Our Ambassador team will be available in the chat during the concert to answer questions or help as needed.

Meet our Featured Ambassador

Mary Shannon Cook

I feel so lucky to be a Conspirare Ambassador!  My first volunteer experience was at the Christmas Concert of 2018. The beauty and depth of the music and the performances were astounding, visually rich, and heart-filling. Of course, I was aware of Conspirare before becoming an Ambassador I had heard and read wonderful things, including an interview with Craig Hella Johnson on the Bridge Radio Program.  I was inspired and touched by Craig’s interview in part due to his description of a piece of his own life journey and by his emotional and spiritual groundedness.  Afterward, I realized how drawn I felt to becoming a part of Conspirare, if only as an audience member.

Fast forward a few years to being an empty nester after raising two wonderful children who were now in college or launching their own adult lives.  I was looking for a volunteer opportunity in the cultural realm.  As I was leaving Betty and Sala restaurant one evening after a delicious dinner with a friend, I noticed an outdoor event on the patio.  My curiosity led me to the greeting table where Kathy and Jamie Leighton sat.  They described the event as the annual Conspirare Ambassador Appreciation reception, and of course, I was gleefully and very quickly recruited!

I’ve worked at the University of Texas at Austin Steve Hicks School of Social Work for over 20 years focusing on recovery from substance use and mental health disorders and issues related to cultural/racial health equity.  As a social worker, I love to hear people’s stories and especially about the events and experiences that have shaped their lives, both the positive and the challenging. Though I have not had formal musical training since I was very young, the music and singing of Conspirare touches me in a way that I find hard to describe.  I am a dancer and took ballet lessons for many years.  Dancing still engages my full body, senses and emotions, and that is what I experience while listening and watching a Conspirare performance.  Connecting with Conspirare has been such a true and real gift!  I feel so much gratitude for this opportunity and I look forward to the return of in-person concerts and to volunteering for the indefinite future.

To learn more about our Ambassador program, click here!

Donor Spotlight

A Lifetime with Music: Eva and Marvin Womack

Music was at the center of Eva and Marvin Womack’s lives. While sheltering at home during the pandemic, classical music was always in the background on the radio or from a favorite CD. That is still true for Eva who is mourning the loss of her husband Marvin who passed away in September 2020.

Back when the couple was raising their children, now adults with children of their own, music was literally at the center of the family’s life. The Womacks lived in Cincinnati in a traditional 1920s-era home with a wide central hallway where a large antique cabinet resounded with music from the turntable and record collection housed inside.

A family favorite was Tchaikovsky’s “1812 Overture,” commemorating Russia’s victory over Napoleon’s army. The children would sit and listen to the dramatic 15-minute orchestral work with its rousing theme culminating in cannon fire, bells, and a brass fanfare.


“Music is the language of the world,” Eva Womack says. Her earliest memories of music are memorizing classical works for fourth-grade music class and attending concerts with her parents at the art deco music hall at Fair Park in Dallas where she grew up. Eva sang with the choir throughout school and as an adult. “I got to sing with Craig in the mid-1990s,” she recalls with fondness.

Marvin was also a life-long music lover, playing the clarinet with orchestras and bands throughout school and college. He enjoyed hearing pieces come on the radio that he once played.

As their two children grew, Eva became involved with their public school and saw first-hand how music could help children succeed academically against great odds. “Where’s there’s music and the discipline that goes along with that, there is success,” she says.

Since they made Austin home many years ago, the Womacks felt lucky to be able to invest in Conspirare and other music and arts education programs.

“Craig is a genius,” Eva says, noting his artistic caliber as a conductor, arranger, and composer. “I love the Russian sacred music,” she adds. “It’s so haunting and comforting. We heard some Russian chanting in Moscow and it reminds me of that experience.”

“Austin is very blessed,” observes Eva. “Not many cities have so many major arts groups of such stellar quality.”

Eva Womack and her late husband Marvin shared the belief that a strong arts community—including working musicians, composers, and others—is key to a strong city. Most notably, they gave to Conspirare to underwrite a creative collaboration with the world-famous Miro Quartet. This unique production of Beethoven choral works will be the first artistic collaboration from these two local world-class music groups.

“I suspect more people are listening to classical music during these stressful times,” Eva observes. “It’s up to all of us to do all we can to invest in our vibrant arts community.”

Favorite piece to sing: Requiem, Op. 54 by Camille Saint-Saëns

Favorite Conspirare CD: The Sacred Spirit of Russia (2015 Grammy Award Winner)

Musical legacy: Marvin’s clarinet is now being played by his grandson!

Our Sponsors

Season Underwriter

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Legacy of Sound

This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department, Texas Commission on the Arts and National Endowment for the Arts. 

Media Sponsor

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Hospitality Sponsor